Showing posts with label fate. Show all posts
Showing posts with label fate. Show all posts

Saturday, October 7, 2017

The Doom of the Darnaways - G.K. Chesterton


Author: G.K. Chesterton
Date: 1929
Setting: a ruined seaside manor house, somewhere in the UK
Availability: Read The Doom of the Darnaways on line, free

Story: Two painters, one local, one visiting, are thrust into the mystery of an historic family curse which visits every seventh generation with a murder. A painting of the first man to be the victim of the curse has been discovered by the local artist. Around the edge of the frame is lettered a rhyme which sets out the conditions of the fateful events. Indeed, the descendant seventh in line is recorded to have died by those conditions. Now, a young relative, the 14th in the family line has arrived from Australia. He is to marry his distant cousin, the lady of the house, which is a family contract. When he is found dead before he has a chance to marry the beautiful woman, it is assumed the fates have once again come into play.

This is one of the early Father Brown mysteries. The detective-priest is on the scene, and others look to him for comments on the events. They generally assume that his religion is akin to superstition and that he will readily accept the curse as the cause of the troubles.

Commentary: Chesterton wrote in the period of transition from Victorian romanticism to logical and more reasonable scenarios. This transitional mix brings us into the story at night to a ruined, gloomy stone manor house on a darkened seashore. Yet, the remnant of the family lives in the house in the dank and dismal lower level with the broken ruins above. The description of the scene is gothic enough to give anyone the chills. Yet, the two young men who are walking toward the house openly describe it as "creepy." This rather modern word breaks the spell of the Victorian description and puts us on notice that this is a story of contrasts.

Is there fatalism and a family curse at play, or something much more mundane and simple going on? Father Brown puzzles it all out. His role in this story is that of the unexpected voice of reason and logic, in a world where he is expected to be out-of-date and superstitious. The story appeared in a volume of similar stories entitled, The Incredulity of Father Brown. In each case the priest is cast as the marginalized victim of fanciful supernatural thought, but he turns out to be the one who presents the pragmatic and thoughtful solution to the crime.

Author info: Gilbert Keith Chesterton, 1974-1936, was a British writer who was known for writing both fiction and non-fiction, poems and plays. He is the creator of the priest-detective Father Brown. He was the first President of the London Detection Club which set standards for the "modern" detective story. Many of his non-fiction works focused on apologetics of the Christian faith. For several years prior to his death he gave regular talks on the radio, and was a hugely popular public figure.


Rating:
Language skills 6
Depth of meaning 6

 

Sunday, May 8, 2011

The Blue Hotel - Stephen Crane


Author: Stephen Crane
Date: 1899
Setting: Fort Romper, Nebraska, late 1800's
Availability: Read The Blue Hotel on line, free


Story: Three visitors disembark from the train at Romper, Nebraska, and are led to the Palace Hotel, painted a garish blue, by the proprietor, Patrick Scully. The three are an unpretentious Easterner, a very quiet man; a cowboy; and a Swede, who is the central figure in the story. Almost as soon as they arrive, a blizzard develops, so everyone is isolated at the hotel. The men, along with the proprietor’s son, Johnnie (a young adult), begin to play a card game. The Swede begins to make strange, loud pronouncements, beginning with "I suppose there have been a good many men killed in this room." He continues making inappropriate remarks throughout the game, even claiming that he knows he is going to be killed before the day is over. The others try to ignore him.

Patrick Scully, who is a good businessman, tries to placate and befriend the Swede, and to calm him down. He has some moderate success. Johnnie notes that his father is even willing to take some measure of abuse from the Swede just because the "customer is always right."

After dinner, the men begin another game of cards. The Swede is still too loud, speaks too often, and says bizarre things. At one point he accuses Johnnie of cheating. Johnnie takes offense, and the men all go out to the lee side of the hotel, still in a blizzard, to fight it out. Scully agrees that if Johnnie wants to fight for his honor that he will allow it.

When the Swede wins the fight he is still not satisfied and he leaves the hotel and makes his way into downtown, where he insinuates himself on the patrons of the town bar.

Commentary: The Blue Hotel is a story with many possible interpretations. There have been many analysts with more ability than I have who have tried to figure it out, who still can’t agree on what it means.

Almost certainly there is one set of meanings centered on the Swede’s misconception of what the "West" is like. He assumes that there is a lot of renegade actions and gunplay, and what he finds there does not match with his preconceptions.

There is a clear message of the self-fulfilling prophecy. If the Swede hadn’t been so dogmatic about what was going to happen, and so obnoxious to all, he probably wouldn’t have come to the end that he did.

Finally, another whole twist is put on the story by a sort of epilogue where the Easterner confirms that Johnnie was cheating and suggests to the cowboy that they all hold a certain level of responsibility for the fate of the Swede.

A part of me would like the blue hotel building to be symbolic of the world in general, but then the Swede leaves and moves the action to a different location. To carry this analogy along, Patrick Scully would need to be God, and the bar some sort of purgatory where the Swede receives his final judgment. Perhaps that does work!

There is a message that we are all pretty normal inside despite outward appearances. The hotel is painted a garish blue to make it stand out and attract customers, but then it is clearly quite a normal establishment once we see inside. Is this also a message about the true character of the Swede?

Clearly, that things are not what they appear to be is a strong theme. The gambler at the bar is more than a professional gambler, but also a family man and frequent participant in the local group of men who simply pass the time in discussing various topics of interest. Yet, he turns out to be the one who deals with the Swede in an unexpected way.

In any case, The Blue Hotel will give you plenty to think about.

Author info: Stephen Crane 1871-1900. Crane lived a short life, yet is recognized as one of the master American story tellers. Early on, he used themes from the naturalist school (we are victims of our environment), but later shifted to themes where people had more control over their own destiny. He was the son of a Methodist minister, and although he was gifted, never did well in school. He lived in extreme poverty most of his adult life, insisting that he pay his own way through writing. Even though Red Badge of Courage was acclaimed in his lifetime, he was never able to earn enough to raise his standard of living. He traveled through the American West as a syndicated journalist, and also traveled to Europe. He contracted tuberculosis, then malaria. He took such poor care of himself, that he died at age 28.


Unusual Words:
gripsack- a suitcase
sled-stake- a piece of wood which can be inserted in a sled frame to hold side boards- easily removeable, often used as a weapon, and necessarily straight.

Rating:
Language skills 9
Depth of meaning 9